Photo London 2025

Photo London 2025

"The UK Photography event of the year" The Guardian

48 Hours In New York

Curated by Carrie Scott and Robert Watson

Photo London is the UK’s leading photography fair, a place where the past, present, and future of the medium meet under one roof. Held within the stately walls of Somerset House on the North bank of the River Thames, it’s a gathering of images and ideas—where the world’s most respected galleries bring work that sparks conversation, reflection, and inspiration.

This year, I’m honoured to be showing my series 48 Hours in New York with Albumen Gallery. These photographs were made in motion—on foot, on instinct, in the unrelenting rhythm of a city that never gives you the same moment twice. They sit, I hope, in conversation with the streets walked by Winogrand and Feinstein, while also tracing their own path through the present. To see this work among the energy and history of Photo London feels like bringing something full circle.

Street photography is the defining lens through which we experience the energy, rhythm, and character of New York. From Garry Winogrand’s frenetic captures of mid-century New York to Harold Feinstein’s intimate portraits of life at Coney Island, the tradition is built on immersion; on the photographer becoming an extension of the street itself. For Robert Watson, his 48 hours in New York was both a challenge and a homage to these masters, a test of endurance and instinct as he navigated the city with 27 rolls of film and a singular focus: to photograph the city in its rawest form.

Unlike his previous visits, this trip was about full immersion. Street photography, as Watson sees it, demands complete attention; no distractions, no casual strolls. It’s an intense, solitary pursuit, where the photographer must push past initial hesitations to get truly close. Shooting on film heightened the stakes. With no way to check his shots, every frame carried weight, forcing Watson to trust instinct and keep moving.

He journeyed to some of New York’s most storied locations including Herald Square and Bryant Park to wade through the dense currents of pedestrian life, and eventually, Coney Island; a setting so rich with photographic history that it felt almost surreal to walk in the footsteps of those who had come before him. The boardwalk, the sun, the crowds; this was a New York that pulsed with nostalgia and contemporary reality all at once.

Over the course of two days, Watson battled the challenges of new terrain, the shifting moods of the city, and the internal pressure to perform. What emerged is a body of work that speaks to the heart of street photography. It is spontaneous, unpredictable, and deeply human. This is an experiment in both documenting place, and a personal testament to the power of being fully present behind the lens.

Carrie Scott

Art Historian & Curator